Hurricane Irma

I currently am in the midst of Hurricane Irma. The rain is smashing against the windows and the wind, whistling seamlessly through the air.. I’m not sticking around for the worst of it though. I’m leaving for work in a few hours. I just wanted to document a little of this experience.

First and most importantly, Lindsey and the kids are safe about 6 hours north of here. They left yesterday morning while I was getting off shift work. We live in Kingsland, GA. We are very close to the coast and in the early days of this storm, the experts were reporting the eye was going to come right through here. Thus, we were under mandatory evacuation.  Since, Irma has changed its track and is currently hovering over the west coast of Florida.

My dad was down here visiting and had to book an emergency flight up to the safe north. So I picked him up and headed towards the airport. He was staying on Amelia Island or more specifically, right on Fernandina Beach. Dad said he wanted to stop at the beach to take a picture. To my surprise, it was extremely windy and the waves were about 6 feet high already. This was Saturday, Sept. 9 at about 9AM. The strength of this storm is amazing.

I came home and “prepared” our house as best as possible. Bringing in our grill, chairs, little stuff like that. Arriving home and driving through our neighborhood, I saw many houses boarded up. That gives off such an eerie feeling. Like an alien invasion was imminent. Anyways, yesterday I spent most of the day just relaxing, going for walks and keeping an eye on the storm. You know, taking it all in I’m a weather nerd, so as scary as this storm is, it’s equally intriguing to me.

I’ve kept the TV on to stay in the know. We don’t have cable, but some nice person is mirroring the weather channel live feed on YouTube. So that’s been great. Watching the destruction of the keys and Cuba has been very thought-provoking, though. Seeing devastation like this really puts things in perspective. Nature has a way of doing that for me.

Overnight, my sleep was interrupted numerous times by hard rain against our windows. When silence fills your home, I guess any noise is loud. That rain sounded violent. At one point around 3AM, I went outside. it was rainy, breezy and cool. Just my type of weather.

Today (Sept. 10) would be day 2 I guess. The storm is starting to pick up. The rain is coming down hard and the wind warrants a serious foretelling.  Hopefully everyone reading this is safe. I leave for work in a little bit and know we are possibly in for a long shift. Like I mentioned, this is only the beginning, but it looks as if Irma is delivering on the promises that a serious storm brings.

Tomorrow (Monday, Sept 11) is predicted to be the worst day for our area. Here’s to hoping it won’t be too bad and no one gets hurt. Make sure your loved ones are safe and take care of yourself.

See you on the other side.

40th Anniversary of Close Encounters

Today marks the 40th anniversary of “Close Encounters of the Third Kind,” Spielberg’s masterwork about UFO’s, obsession, and conspiracy. One of my favorite movies ever released. A theatrical release is also slated to start today through Wednesday, Sept 6!

So many interesting tidbits are coming to surface today regarding production, etc.

Here is one my favs from sci-fi 

“In the movie, the mothership lands, and then the little aliens start coming out. But as it was originally planned, they were supposed to come out and then sort of float around,” Alves says, still a bit bummed he couldn’t make the creatures fly around his massive set. “Flying all those kids would have been very, very difficult. And as it was, to begin with, the set was so big that we had 48 arcs up on that terrace and all these photo floodlights. It was just really, really complicated.”

The next idea was to have “little cuboids of light” fly all over the place. “The little cube things we had on wires, so there were little square lights flying by,” he recalls. “That became too much, so we killed that, too. Today we could do it with CGI. We would have flown the kids and gotten a green screen, put them in a layer and the same thing with the cubes.”

 

Unbelievable stuff. Please read the whole article though. If your interested in Close Encounters, its fantastic.

Hacksaw Ridge (2016)

  • The “speaking from my heart” review:

Before I get all technical, I want talk about Desmond Doss for a sec. I couldn’t help watching him feeling a closeness to a way of thinking that is close to home. I couldn’t help the fact that myself and Doss are almost identical twins when it comes to violence and helping people. In many ways Hacksaw Ridge confirmed a lot for me. Its funny how sometimes the phrase “comfort in numbers” actually rings true. Even though Doss was one man, I felt a sense of  validity after experiencing his unbelievable and unquestionably courageous acts of bravery.

His gospel rang true to me. All too often people like to tag me as “soft”  when considering my stance on war and helping people. Doss and I are mirrored in our thoughts and is that different than the norm? Sure. But ask yourself this? Did he save 75 souls that after the fact could care less of his “softness.”

My point is we need to stop “tagging” people as whatever makes sense to us and throw them in a category jail. We need to start looking at people as exactly what they are: people. Diverse thinking, uniquely made individuals who maybe on their own exhibit an odd piece of the puzzle. But make no mistake about it, they are a piece to a puzzle. Usually an important piece at that.

Bottom line: If you think different than the average, you shouldn’t be ashamed in who you are, the ashamed should be the shamers.

  • The “obligated, technical” review:

After a decade long hiatus and no less amount of controversies, Mel Gibson makes his long-awaited return to the director’s chair and immediately lets his presence felt & relevance known to everyone,his latest is a biographical war drama that depicts the horror of warfare in all its unadulterated glory yet captures it in a fashion that highlights the film’s anti-war themes with clarity.

Hacksaw Ridge tells the story of Desmond Doss, a God-fearing pacifist who enlists in the army to serve as a medic and becomes the first conscientious objector in American history to be awarded the Medal of Honour despite never firing a shot. The plot covers the events that shape up his beliefs, and his service above & beyond the call of duty in the Battle of Okinawa.

Directed by Mel Gibson (best known for Braveheart, The Passion of the Christ & Apocalypto), the film opens with a brief preview of what’s waiting ahead for the viewers before taking a step back to pave the necessary groundwork but once the soldiers are on the battlefield, Gibson unleashes hell on screen with excellent use of his skill set to stage one of the most harrowing depictions of warfare in recent memory.

The technical aspects are ingeniously executed and really assist in enriching the whole experience. Production design team skilfully recreates the required timeline with its period-specific set pieces, Cinematography utilises the camera to great effect and is at its best during the combat sequences. Editing is brilliantly handled & steadily paces the plot but there are few scenes in the first half that it could’ve done without.

Performance wise, the film packs a capable cast in Andrew Garfield, Sam Worthington, Luke Bracey, Vince Vaughn, Hugo Weaving & Teresa Palmer, with Garfield carrying the entire film on his shoulders. Despite coming off as a creepy nice guy in the first act, Garfield is able to finish things off on a high and his rendition of Desmond Doss may as well be his finest performance to date. Rest of the cast chip in with fine supporting work, with Vaughn getting to have the most fun.

On an overall scale, Hacksaw Ridge is one of the most vicious, violent & unrelenting exhibitions of war on the film canvas that presents its returning filmmaker in no-holds-barred mode and delivers a cinematic experience so raw & visceral that it will have its viewers gasping for breath & hiding for cover amidst all the mayhem & massacre that explodes on the screen in the final hour. One of the best films of 2016 that’s impressive enough to garner a spot amongst the greatest examples of its genre, Hacksaw Ridge is an instant classic that comes very highly recommended.

The Search for Silence

Our minds are poisoned. I hate being so pessimistic but it’s true.

What’s even more heartbreaking? I’m not totally sure we’re at fault. A combination of the times we live in and the attractiveness of things. If you take a step back and look at your life, you’ll very clearly see a picture of static surrounding you. What is that static you ask? One word I came to find: Noise.

Noise could come in many variations: sounds, screens, opinions, jobs, motives, goals, etc. Really, you name it, it could turn into noise. Believe it or not a bunch of our time is spent in noise. Noise controls, surrounds and for the most part, dictates us. Whether we agree with that notion or not, noise is a constant companion to our lives.

In our homes, we turn on our televisions. In our cars, we turn on the radio. When we exercise, we put on our headphones. Even when waiting in elevators or on hold with customer service, sound fills the void. I challenge you to find an area in your everyday life where you achieve peace and quiet. Report back, please. I promise you the task is sadly difficult.

That’s where the search for silence started for me: the realization that tranquil, calming moments were strangled by a stronger force. I started to see how routine noises had become, how it seeped into my life. And unfortunately, how it didn’t seem to bother me much.

You know, sometimes life has a way of swooping you up and turning the volume on so loud that we forget what no volume is like. Truth is, I can’t say I really miss the silence because as much as I think I’ve experienced it, I haven’t. Neither have you. Think about it. There is so much noise surrounding us. So much clutter, and so much distraction. Maybe it’s because I’m a minimalist at heart but all of this noise was an overwhelming force I had little control over. That bothered me.

A lightbulb then sparked: my quiet was gone, my God given rite to tranquility stolen. Like stillness was something I used to hear about. Like a distant relative that you don’t see any more, that doesn’t come to any family parties. I started thinking very intently about the sense of silence and about what benefits moments of quiet brings. Here’s a crazy thought exercise: What would the world be like if we all had a designated time of quiet? What changes would spark? What realizations as a people would we come to?

One of the biggest realization for me was taking control of my time. I don’t have to live a life of distractions and unnecessary detours. Although it doesn’t always feel like this: I am empowered to choose. The problem is, choosing is hard. Because habits are hard to break, especially bad habits. I started to focus on my bad habits. Social media…noise. Radio……noise. Podcasts……noise. Sports…….noise. I’m not saying all these had to go. But balance had to be achieved. My scale was way out of whack.

Like I mentioned earlier, all of our quiet to noise ratio is overwhelmed by the latter. We just don’t realize it. We’re overpowered and unaware of the noise. That really got me thinking. If I’m so out of balance, it’s impossible to see what I’m missing.

So, what am I missing? Are there benefits? Benefits to having quiet in our lives? Or did silence go by the wayside for a reason. Was it unconsciously chalked up as unnecessary?

Is silence worth saving?

Well, I deemed yes and i’ve started searching for ways to achieve silence. It meant breaking habits and routines. It meant odd, long spaces of nothing. It meant unnatural long pauses of quiet. It meant many bonfires by myself and long quiet walks. It honestly meant going out of my comfort zone and all I’m used to.

What I’ve found thus far has been startling, though.

I want to talk about focus and reflection a little bit. When I started quieting down elements I sensed something creeping back into my life. Something that was there, but much harder to achieve. I’m talking about focusing. I’m unsure if I’ve been a clearly focused, but knocking down the distraction of noise has helped tremendously.

Looking deeper though, it seemed most of my noise came from my wanting of content. I don’t think there’s anything wrong with that, but I really wanted to know what I was missing in those time blocks of noise. I found that when left to just silence, I was reflecting on my past a whole lot more. Not in a depressing manner, but in a pro active learning objective. This was super interesting to me.

The focus and reflection I achieved that resulted from times of quiet where astounding and equally priceless to me. That’s an amazing notion, huh? That we could possibly produce something priceless with no worldly amount tagged on. In this case, my priceless product of silence was focus and reflection. I was able to think more clearly because I felt so much more in tune with myself. That made sense to me. Connecting with myself was an inability before, now it seems more reasonable based on reflection time in silence.

Of course, It goes without saying that I’m still in the very beginnings of this exercise, but what I’m finding is eye opening and demands personal documentation, in my opinion.

At the end of the day, what are we as a people if we don’t think, focus and reflect? I think piling on so much noise that prohibits silence is an extremely hazardous habit that equates to us being a whole lot less human as a society.

I fear the value of true, unobtrusive, calming, personal quiet time is fading softly into a dark sea. What I fear even more is that no one even flinches. Like throwing a life jacket is too much of a hassle. Personally, if I lose my quiet time, I lose myself and thoughts with it. Over the past few months, I’ve become aware of how valuable quiet time can be. It can be an escape in times of crisis. It can be as comforting as a warm blanket or as soothing as a hot cup of tea.

The truth is, silence is what you make it. But you can’t make anything out of what you can’t find.

“She’s a Blind YouTuber”

I was extremely fortunate to meet Casey Neistat at the Hills Film Festival in New Milford, CT  back when I was making the rounds for my film, The Fiction. He was a genuinely nice guy and gave me some great filmmaking tips. Since then, he has become sort of a youtube sensation to say the least. If you haven’t check out his videos, they are most certainly worth your time. (links below)

His most recent video touched me on a deep level and I thought it was worth sharing. I can’t think of a better way for someone with 7 million subscribers to spend 12 minutes. This was truly sensational and good on Casey to showcase such a inspirational talent.

Casey’s channel

Molly’s Channel

You should subscribe to Molly’s, truly inspirational stuff.

End of the iPod

Like many of you i’m sure, the gateway device that introduced me to Apple Products was the original iPod. For obvious reasons, that device holds a special place in my heart. I was sad to hear today Apple is quietly phasing traditional iPods out (via macrumors)

Apple today removed the iPod nano and iPod shuffle from its website and online store around the world, and it has since confirmed the iconic portable media players have been discontinued. Apple continues to sell the iPod touch with updated pricing and storage, including a 32GB model for $199 and 128GB model for $299.

Apple also released this statement to clarify:

“Today, we are simplifying our iPod lineup with two models of iPod touch, now with double the capacity starting at just $199, and we are discontinuing the iPod shuffle and iPod nano,” an Apple spokesperson told Business Insider.

End of an era for sure. Business-wise, it just doesn’t make much sense to keep iPods around much longer. But the 15 year old in me is sad to see it go.

Dunkirk (2017)

Forgive me if I sound too positive on Dunkirk. Its late and I just recently arrived home from watching in full IMAX. So there’s that. Here are some initial, quick thoughts:

An eloquent, boldly structured portrait of the chaos and madness of war from roughly five perspectives; Dunkirk is a full blown, eye widening experience. Nolan’s reach as a director is beyond doubt and at this point its safe to bump him to the “greats.” Dunkirk is ambitious, not only in scope but also in construction, as this film weaves in and out of past or present, loosely tying together disparate events with mere visual recollection. Exposition is limited to perhaps two conversations and some brief text early in the film; Dunkirk is about basic survival instincts and how people react in the face of overwhelming odds.

But the key to me, the incredible feat Dunkirk pulls off, is that there is no blame cast, no preachy moralizing at all. Some of the heroes in Dunkirk face the odds with selflessness and bravery, some others with quite the opposite; fleeing from combat or putting their own survival before others. But if Dunkirk has a lesson, it’s to give pause before labeling anyone a coward, and to more readily hail others as heroes. The Germans are never glimpsed, even for a moment. I loved that. No reason to show them. The old Alfred Hitchcock quote kept coming to mind; “I don’t want to show you whats behind that door, your mind can do that just fine.” In Dunkirk, the enemy is an abstract fear, almost as demonized here as the circumstances that landed these 400,000 men on this beach, stranded without hope of escape.

I think its safe to state Dunkirk is one of the best war films period, and its easy to see why.  It’s a flawless, masterful exercise in immersion and spectacle, desperately searching for meaning and order in absolute chaos and carnage still unfathomable 77 years later. A search for the meaning of life surrounded by the utter meaninglessness of war. It’s an intimate, harrowing epic; a rare beast of a movie the likes of which I haven’t seen before.

Those fundamental contradictions are what make Dunkirk so fascinating, so stimulating both emotionally and intellectually. I don’t really have the words for this movie because of how recent I watched and hopefully I can unwrap a little more following a rewatch. But on my end, it’s safe to say Dunkirk is more than worth the price of admission to see in full 70mm.

Its hard to say Nolan and Dunkirk won’t be major contenders at the 2018 Oscars and rightfully so. Christopher Nolan has made one of those rare movies that reminds you of the heights great cinema and great artists can reach when pushing boundaries and exceeding expectations.

Go see Dunkirk in IMAX for the full experience. You won’t regret it.

Moonrise Kingdom (2012)

I’ve been living in a Wes Anderson world lately. I rewatched Life Aquatic a few times for another project. By chance, caught The Darjeeling Limited on cable. I always keep The Royal Tenebaums and Rusmore in rotation and most recently viewed Grand Budapest again. Something struck me that I never actually wrote anything down on Moonrise Kingdom. I went on my Letterboxd account and sure enough. Nothing. So here’s some thoughts on it.

Wes Anderson makes his own version of William Shakespeare’s Romeo and Juliet and sets it within the world of childhood angst: the orphaned Sam Shakusky and similarly introverted Suzy Bishop are in love; but the society around them forbids this romance. Set on an isolated island within New England otherwise known as New Penzance (made up world) – the setting alone gives an idea of what sort of state of life they are living within. They want a place away from others, in order to find themselves living at peace, because the world that they know has no other place for them. But it’s the perfect setup for Wes Anderson to use the quirk that we’ve all come to expect from his work, although in Moonrise Kingdom it has come to a point where it reflects feeling: among the most vital aspects to the success of Anderson’s output. It’s a quirky rom-com spin on Romeo and Juliet with kids he’s telling here, but the very experience provided is nothing short of rewarding.

Going back to the running theme of isolation in Moonrise Kingdom, there’s a greater success coming out on Wes Anderson’s end when it comes to how he captures the general awkwardness coming in regards to the feeling of being in love. The central romance in Moonrise Kingdom is indeed some of the most touching that Anderson has ever been able to achieve in his career, but at the same time we recognize there’s something so awkward about how it comes out at the hands of Anderson’s trademark quirkiness. It’s actually something rather beautiful because of this quirk, because it reflects upon the uncertainty of romance especially at a younger age: and Sam and Suzy are only discovering that feeling for the first time. They’re naive and innocent, and Anderson tells a story within this boundary in order to form a work that makes this awkwardness something more touching, because of the uncertainty regarding where their romance is set to go.

Typical of a Wes Anderson film there’s something more coming about from his usage of music in order to highlight a mood. Whether it be from Alexandre Desplat’s wonderful score or the use of Françoise Hardy’s “Le temps de l’amour” – it’s always wonderful just looking back upon how they also play in part with the quirkiness as a means of reflecting a certain mood for his films.

By nature, Moonrise Kingdom would be seen as a romantic comedy dealing with the innocence of childhood but when we see Sam and Suzy dancing to Françoise Hardy, there’s a reflection of their naivete at the state of their own freedom: at the time of love. And yet it’s so distinctively bizarre almost like a painting by the way it looks, though this only reflects the awkwardness of the first encounter even more perfectly in order to create something more melancholy deep down, just as the best of Wes Anderson would deliver.

This sort of experiment for Wes Anderson only signifies something more coming in marriage with all the quirkiness that anyone would come to recognize him for. At another point this quirkiness even manages to ring true, because of how it captures the general awkwardness and uncertainty of the naive impressions that love would bring upon  first try. That’s the beauty of what comes from what could easily have been just another innocent romantic comedy about children finding love for the first time. But, Anderson actually goes beyond that and subverts it into something more playful and melancholy just like a memory of this point in one’s life would be.

With Moonrise Kingdom,  Wes Anderson has managed to inspire smiles just as he also captures a feeling of escape from authority – he isn’t making an innocent romantic comedy. He’s making a film about the effect of authority upon innocence, and the results are visually stunning and infinitely thought provoking.

 

 

Luca – Age 1

Hard to believe Luca is turning 2. With Liam, it felt more spread out and time was patient. With Luca, days and months have been relentlessly rapid. Luca has grown so much in the past year; from barely walking all the way to running around talking. He is growing fast.

Making his video this year was interesting. There seemed to be a lot of footage of him and Liam. I think thats a good sign, whether Liam admits it or not, they love playing with each other, they love being around each other. The other bunch of his footage was him being his crazy self as demonstrated in the video.

I’m not sure what the next year brings for Luca. The addition of another little one and Liam starting school full time will be interesting changes for little Luca. One thing is for sure though, he will be his happy, always smiling and brightening everyone’s day, self. A priceless gift Lindsey and I don’t deserve but most welcomingly accept.

Happy Birthday Luca. Love you <3