When Christopher Nolan makes a movie I take notice with extreme interest. It doesn’t matter the premise, synopsis or what actors are involved. His filmography speaks for itself: Memento, The Prestige, The Dark Knight Trilogy, Inception. I really could go on but there’s no need to do. Interstellar marks Nolan’s most ambitious film to date and not only does it push Nolan’s filmmaking abilities technically, it also solidifies the fact that Christopher Nolan is a great filmmaker, but he slowly but surely is joining a small but special list of filmmakers in the “Auteur” category. A group that names include Stanley Kubrick, Alfred Hitchcock and Frederico Fellini.
Interstellar is as follows: With our time on Earth coming to an end, a team of explorers undertakes the most important mission in human history; traveling beyond this galaxy to discover whether mankind has a future among the stars.
Interstellar is not only the best movie I’ve seen all year, quite possibly it’s the most ambitious film I have ever seen. There’s something to be said for a movie that sets out to be something grand in size and completely succeeds. I don’t envy Christopher Nolan or his brother Jonathan for having to write this script or to pull off this gigantic idea, but we all will sure enjoy the results. They reach for something huge here and while the ending may leave a little to be desired in it’s complexity it doesn’t take away from the fantastic journey you will take if you board this ship.
The movie’s biggest strength without question is Christopher Nolan. You can make a very real argument that Christopher Nolan is the best working director in the movie business right now. There’s no one who makes a big movie feel so small and intimate. He has an unbelievable way of fitting these really sweet, smaller sized scenes into a very large movie. Take Interstellar for example: the movie is quite possibly the largest scale movie of all time due to where it takes us logistically in the universe. The best scene in the movie, however, comes from inside a bedroom on a farm between Mathew McConaughey and his daughter. Sure the movie is big, epic to say the least. but Nolan keeps his finger on the pulse enough to know when to scale back. And at times, does so masterfully.
I don’t think it’s a stretch to say Interstellar deserves multiple viewings. It’s a highly complex film that demands every second of your attention and quite frankly it deserves every second of it. It’s very rare in Hollywood nowadays we see a team of Jonathan and Christopher Nolan work together to create something so seamless and so complicated yet complete and effective. Interstellar unbelievably pulls off with great achievement a fantastic movie experience, you will laugh you’ll cry and most importantly you will interact emotionally. The movie isn’t so big it leaves you. It constantly holds your hand.
Please go see interstellar, I’m begging you as a life long film fan. This is a special movie that will be talked about for a long time. I intentionally left out the words “2001 Space Odyssey” for comparisons but the fact of bringing it up isn’t a crime in the least bit, in fact I believe if Stanley Kubrick was living today he would tell you this is closest we’ve come to a 2001 Space Odyssey experience.
What makes Interstellar one of the best, most enthralling, intelligent and moving science-fiction films of modern cinema is not so much the inter-galactic journey it takes you on as the emotional journey your left with. Bottom line: Interstellar is as cinematically epic as it is dramatically intimate. Go see it.