Won’t You Be My Neighbor (2018)

“Love is at the root of everything, all learning, all relationships. Love — or the lack of it.”

-Fred Rogers

I blind bought this. If you know me, then you’re aware how safe of a purchase it was. But to be honest, I was expecting a documentary that would reveal to me what I already knew — that Mr. Rogers was a kind, empathetic person both onscreen and off. Which is true, obviously.

But I had been thinking of him as a character for so long that I never stopped to consider Fred Rogers the human being — a man who constantly struggled with self-doubt over his work and who fought so tirelessly for the goodness of humanity because he was tired of living in a senseless, violent world. Seeing Mr. Rogers worried made me terrified, because deep down I assumed he always knew everything. I had this unspoken idea that once I became successful, or put-together, or smart enough, I would finally feel like I knew what I was doing too.

But if someone I think of as a hero also struggled with anxiety and self-doubt, and managed to change lives anyway, then maybe i’d be okay. Mr. Rogers’ most important lesson is that you don’t have to be perfect to be worthy of love — and it’s simple, he likes you just the way you are and you should too.

This documentary should be screened in schools across the world and pretty much every where in the universe. Nothing bad could come out of this amazing 2 hours.

Don’t Worry, He Won’t Get Far on Foot (2018)

On the rocky path to sobriety after a life-changing accident, John Callahan discovers the healing power of art, willing his injured hands into drawing hilarious, often controversial cartoons, which bring him a new lease on life.

Inherent Vice now has an alcoholic little brother. ‘Don’t Worry, He Won’t Get Far on Foot‘ is Gus Van Sant’s first decent movie in a decade, and it’s not in the least bit because of poor casting. Joaquin Phoenix plays cartoonist John Callahan, a quadriplegic struggling with alcoholism before and after the accident that resigned him to a wheelchair. He’s aided in his 12 Step program by a very slim Jonah Hill, a rich hippie. By late seventies period piece law, Hill’s character, of course, has AIDS. Also, we know it’s the seventies because Jimmy Carter is on the TV, and everyone has long hair.

With the presence of Rooney Mara as a Swedish physical therapist/flight attendant and then Jack Black, you’d think it was a comedy. The contrast between Phoenix’ wheelchair-bound slapstick, the gallows humor, and the horrid struggle of quadriplegia brought about by years of depression and alcohol abuse makes for a lot of tonal dysphoria. Yet somehow the beauty of life wins out in the end. I’m not really sure what the clunky time jumping in the first hour was about, maybe a botched framing device, but it does confuse you into being intrigued about what comes next. Granted, I knew nothing about the film going in, so even if it weren’t based on the true life of Callahan I still found it a very effective exploration of what drives a person to drink, struggle and fight.

This film ultimately accomplishes what it sets out to do. From what I’ve read, Robin Williams had tapped Van Sant to direct this with, I’m assuming, the intent to play the role of Callahan. I know that this is all before and outside what we are presented, but it certainly feels like the movie was intended as a light in the darkness for anyone who is struggling with addiction and depression. We are living in a world that beats us down on a regular basis. Even those we love don’t always know what we’re going through, and with the ubiquity and normalization of the alcohol culture in America, it’s easier to treat the symptoms and not the disease.

Through discipline, hardship and pure grit, we can all still learn to forgive and work towards finding a greater purpose. John Callahan did and his journey was inspiring. Great movie.

Lady Bird (2017)

Lady Bird is about growing up & growing up is hard. Then, we don’t think about it because it’s over. We don’t think about the people who helped raise us, we don’t think about the places that defined us. Ultimately, we don’t reflect on our past enough because we are trained to look forward. Looking back, we are told, is not productive.

Lady Bird, if nothing else, is a unique, smart and genuine look into a young girl discovering who she is. So intelligently crafted, this movie forces you to look into a time forgotten perhaps. Your childhood and upbringing.

The places, the people, the sights, sounds and smells. Your experiences. Lady Bird confronts the ugly of family life and pressures of expectation, but so sweetly morphs it into something beautiful. Sometimes, the people who smother you, and the people that encourage you to spread your wings, are doing it for the same reason – because they care.

About mid way through, this film asks a great question: “Is attention and love the same thing?”

In Lady Bird’s case, she loved what she was trying to escape. She learned this a little late. But she still learned. And that’s what growing up is all about.

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Manchester By The Sea (2016)

As an extremely private person, I can confirm this is one of the more realistic, true to emotion films I’ve seen lately.

Grief is a part of life. But there’s no script on how someone grieves anything. We all uniquely experience things and we all uniquely react to things. This film, if nothing else, shows a real honest and raw application of that. And to be quite honest it’s a breath of fresh air.

Casey Affleck does nothing flashy here and that’s exactly the point.  He just exists. And that’s ok. He doesn’t “have” to do anything.  Us, the audience would like him too. But that’s not how people are in real life. People live with an level expectations pushed on others. A lot of how we view the world is based on these expectations.

What I loved most about Manchester By The Sea is its simple, yet strict delivery of making you care for someone who doesn’t follow any usual forms of a hero. He’s just a normal man who had major tragedies happen. He’s not doing anything to win you over.

If nothing else, ‘MBTS’ will grind you down until your comfortable with the uncomfortable notion that hero’s don’t wear capes or have an ‘S’ on their chest. They are sometimes unlikable people who do awful things, yet push through everyday and win the daily battle of struggle vs. survival.

This is one the best films I’ve seen in a very long time.

True, raw and honest.

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Luca – AGE 3

Luca’s 3rd year on the planet has carried many defining moments of clarity and understanding. As his parents and now advocates, we want only what’s best for him and Lindsey and I agree no matter where or what that is, we are prepared for anything.

He has grown into his own little man. He’s a picky eater, a rough houser, and has a contagious laugh. That’s Luca. Unapologetically, his own self who’s heart and smile can be felt rooms away.

Happy 4th Birthday buddy. You make me proud every. single. day.

You take your time, young lion.

Incoming ‘Luca’ Video

Lindsey and I were talking last night about memories, the idea of memories and how easily and unknowingly they slip away. It’s an interesting talk, actually. The amount we forget on even a daily basis is quite alarming. We both agreed documenting is such a blessing and a tool that can really shape, enrich and profit our mental health.

Luca’s video this year has really shined a light on that. More than likely, 2019 is the year we will learn that Luca has some form of autism. This is difficult to come to terms with. Mainly because I want to do whatever I can to help him. Unfortunately we are learning behavioral illnesses in America are vastly underfunded and therefore, under researched. Fortunately, Luca is not a normal kid. He lights up a room when we walks in. His playfulness is contagious. And every step of the way, he has overcome odds. I wanted his video to resemble that.

This years video presented many challenges. I mean, I always want to work on nailing the tone of the year, whether that is music, editing or usually both in unison. But Luca’s year was different, and just like Leo’s newborn video, I refuse to shy away from what the reality is. I think that is what makes the videos have heart. Also, Luca’s video this year is a little more artsy, a little more film-like. That’s exciting to me. And it really has opened my mind to ideas on future videos.

All in all, I am really proud of Luca’s age 3 video. It took months to make with constant re-edits, but I hope it lives forever as a documentation of enjoying the journey and not the destination. Because in Luca’s case, the destination is unknown.

These videos aren’t highlight reels, that was never their intention. I want them to feel authentic and real. I want Liam, Luca and Leo to watch these when I am long gone and ‘feel’ their age upon watching. I think this year brought many challenges because obviously of Luca’s pending status, but also because he is far from a defeated soul. That was tough to create, the mix of his reality but optimism.

In my head, I needed to capture these 3 elements: uncertainty, hopefulness and above all else; love. It’s a fine line to walk, but I believe the video represents Luca’s age 3 true and accurate.

Luca’s video will be up on his birthday, July 16.

Status Crisis

I fell off a pretty high horse. At least that’s what it felt like when I left the Jacksonville Fire Department. Regardless of my reason(s) for leaving, the fact was and is I spent years (literally years) working hard to achieve employment. And after just 6 months, it was over. Like it never happened.

If I’m being honest, it still hits me hard from time to time. But, my open wounds haven’t stopped me from doing what I do best: think a lot about it. I got thinking about status and prestige. Why Jax fire was such big goal for me and why, currently, does it still leave a hole in my chest.

Then I learned of a man named Denis Diderot. Denis put a lot in perspective to me; about status, achievements and possessions.

I started thinking deeply of the reasons achieving JFRD was so important to me. I came up with a relatively simply answer: I made it a possession. And like we all do subconsciously or not, we let our possessions create our identity. Then in essence, when Jax didn’t work out, my identity was in crisis.

That took me back to Denis Diderot. He talked much about possessions. Looking for an answer and clarity from the Jacksonville Fire aftermath, I simply could connect Diderot’s idea of possessions and my goal of Jacksonville Fire.

Let’s talk about Diderot.

Despite composing several famous works, the French philosopher Denis Diderot spent the majority of his life in poverty. Like many enlightenment thinkers of his time, Diderot had little concern for material possessions. That changed when he received a new scarlet robe from his friend as a gift.

The robe was so beautiful that Diderot treasured it above all else. But Diderot also quickly realized that the robe was out of his place amongst his other common possessions. He didn’t own anything that would match the grandeur of his new robe.

And so Diderot went about replacing his old possessions. He replaced his straw chair with a leather one. A large mirror took over the mantle of his fireplace. He filled up the vacant corner of his house with a writing desk.

Before long, Diderot found himself in debt. As he remarks in his essay titled Regrets For My Old Dressing Gown,

“I was the absolute master of my old robe. I have become the slave of the new one”.

The Diderot Effect

Diderot’s story shows how the acquisition of new possessions or achieving status is never a singular event. Each new purchase or status achievements often creates a spiral of actions that leads you to mentally acquire more and more things.

It’s a social phenomenon that explains much of our modern consumption patterns. Savvy marketers often bundle complementary products together and make us offers so compelling we cannot refuse them. One seemingly innocent purchase can lead to many bad decisions.

Having heard Diderot’s warning, I now know what happens when we go about mindlessly acquiring new possessions. But that doesn’t make the suppression of this behavior any easier. To understand our true challenge, we need to scrutinize Diderot’s story more closely.

As he writes in his essay, Diderot cared little for material possessions before he acquired his new robe. He didn’t see them as representative of the inherent worth and value of a person:

“I can bear the sight of a peasant woman without disgust. That piece of simple cloth that covers her head, the hair that sparsely falls across her cheeks, those tattered rags that half cover her, that poor short petticoat that doesn’t cover half her legs, her naked feet covered with muck cannot wound me. It is the image of a state I respect; it’s the ensemble of the of the lack of grace of a necessary and unfortunate condition for which I have pity.”

But shortly after he acquired his new robe, Diderot’s views changed. He came to identify with the grandeur and beauty of his scarlet robe. Eventually, he thought the same of his other possessions as well:

“The poor man may take his ease without thinking of appearances, but the rich man is always under a strain”

How did a simple robe end up causing Diderot so much grief?

What We Really Want

As it turns out, Diderot was spot on about how material possessions become intertwined with our identity.

The wealthier we get, the more things become a form of self-expression. We no longer buy shirts and shorts for the cloth that covers our skin but also to reflect our tastes and social standing.

Ironically, the overt pursuit of status is a low-status activity. Chasing after someone’s approval demonstrates low self-worth, which is why we instead opt to chase after possessions. This explains why the biggest companies in the world spend so much on branding.

As Charles Chu notes in his essay, luxury brands like BMW make it a point to advertise to everyone regardless of their income level. It seems like a mistake until you realize that they’re not aiming to sell you a car — not directly at least.

Their goal is to get everyone to believe that their product is valuable. The money comes in when people buy their products in a bid to signal their status.

The Pursuit Of Status

It’s absurd that most of us are unhappy and yet, we have never been wealthier throughout history.

The problem lies in the nature of the game we’re playing.

Status is hierarchical by definition since there can only be one top dog at any time. That makes the pursuit of status an essentially zero-sum game, where your gain is my loss. We can never have enough if we need to have more than our neighbor. You can never really win because the game doesn’t end. All you can do is maintain your position at the top.

What do we do then?

Your first instinct may be to declare that you’re never going to chase status again. Yet, that’s unlikely to work out. Status was vital to our ancestors because it determined who got first choice of meat and mate: we were willing to give those who were more important to the group more privileges. While we don’t need the protection of a tribe today, status still serves largely the same purpose. We haven’t really changed much at all.

There are other ways to play this game though. Even if we’re biologically primed to chase status, it doesn’t mean that we need to acquire more possessions. A bigger and better house may force us to spend half of our lives working. The same goes for luxury cars, accessories and jewelry, although to varying degrees.

These items are costly — in terms of both time and money — yet have little intrinsic value. Why not pursue activities that are a form of signal, but also have inherent value as well? For instance:

Work out at the gym. A big reason why people go to the gym is so they can tell others about it. But working out also provides the inherently valuable benefit of being healthy.
Speaking or debating publicly. Speaking in front of an audience signals some form of expertise, but the prerequisite is that you must be informed. Knowledge is the main benefit.

Teaching others. It’s another demonstration of expertise, but it’s the Protégé Effect at work as well: you’re helping others learn a skill while refining your own understanding.
Jim Rohn once remarked that “The greatest reward in becoming a millionaire is not the amount of money that you earn. It is the kind of person that you have to become to become a millionaire.”

In other words, we should be aiming for the steak and not the sizzle. If we can’t give up the latter, we must make sure that it’s always accompanied by the former.

What Are We Chasing?

It’s easy to get lost chasing more without considering what we really want.

Therein lies the danger of mindless consumption and competition. Most of the time, all we really get are substitutes or replicas of what we truly desire in life. It takes reflection and honesty with ourselves to figure that out.

Take the time to figure that out before you embark on your chase. As you may have realized from Diderot’s example, it can be very costly when you chase the wrong things.

So to bring us back home, I’m not saying chasing Jacksonville Fire Department was the wrong thing. But it clearly didn’t work. I may not be feeling any better about my Jacksonville outcome, but at least Denis Diderot’s essay sheds some light on why it meant so much and why it still hurts.

You can’t identify yourself with a possession or a job. You’re bigger than that. I think that’s what Diderot was really trying to tell us. Sure, possessions, jobs and status are just things in this world. Let’s not miss the fact they they are complimentary things and not identity defining things.

I’m still Danny with or without the Jacksonville Fire Department. And shame on me for letting myself define my success with a person, place or thing.

As I wrote about a few years back; ‘Being you is good enough.’

That’s not breaking news, but sometimes a reminder is timely medicine to stitch your identity back together.

How The Blair Witch Project changed horror for ever

I remember seeing The Blair Witch Project in theaters quite vividly. While vacationing in New Hampshire, My father took me to a rundown movie theatre in North Conway. The theater’s ambiance fit the film like a glove; old, historic and equally creepy and creaky. Leaving the theater I was in a daze. Still to this day I’ve never been so affected by a movie. We drove home through the mountains in the black of night, the wind whistling through the trees, and my imagination creating endless possibilities.

I know it that sounds spooky, but in my mind that memory is so special.

Anyways, great reminder from The Guardian speaking on The Blair Witch Project and how unique the film’s roll out was…

And it worked: many early cinemagoers thought the film was a documentary. It is still one of the most delectably scary movies out there, and its ingenious premise required it to break all the rules: no script, no jump scares, no music, no professional crew, no special effects, not even any witches. What it did have, which often goes unremarked upon, was totally convincing actors. Horror is traditionally about confronting our darkest fears but Blair Witch doesn’t really do that; instead, it shows us other people confronting theirs. The hysteria is contagious.